The title of the current Huntington Beach Art Center show has the unintended effect of reminding us that this little gem of a gallery is just not as well known as it should be.
It only recently--finally!--got its own website (though it still has its information page on the site for the City of Huntington Beach, which owns and operates it).
Its capable leadership Kate Hoffman and curator Darlene DeAngelo are struggling mightily to maintain a high quality program amidst city funding cutbacks.
When the gallery was first created, it gained notoriety (and not a little push back from the City) for its provocative programming. Now, 20 years later (about), it has not backed off from presenting artists with an edge--even if it discreetly avoids anything that might bring down the wrath of the elected officials who approve its budget.
The current show is a case in point.
The work of three artists with distinctly different viewpoints on nature have been cleverly grouped into an exhibition that melds Cathy Cooper's abstract mixed media sculptures with Daniel du Plessis' lacquered-over fantasias (pictured above) and Leslie Yagar's installation of butterflies. All of these works have the capacity to delight AND to disturb, proving that HBAC has lost none of its desire to be about real art.
The show continues through December 18.